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L'artiste y dénonce le monde prétentieux de l'Université
il sait pourquoi
Samplerman’s collages take existing art and make new art out of the old
Un avenir tout tracé
whether in vast festival tents
Individual Methodology Simon Frankart L'artiste y dénonce le mondeIn the curator's archives. Neither a biography nor a compilation of his projects, this publication, thanks to privileged access to the archives of the Fabbrica rosa, hopes to shed light on Szeemann's curatorial methodology. Presenting numerous previously unpublished documents as well as interviews with the close collaborators of this exhibition maker, as he often referred to himself, the authors explore the structures and tools of his trade (his