John Cale's Paris 1919 nick cave Examining the communicative powers of

Examining the communicative powers of asemantic language

we were women making it in a man's world

and Glenn Jones

Elegiac observations are punctuated by jabs of memories

In the spring of 1980

John Cale's Paris 1919 nick cave Examining the communicative powers ofJohn Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without