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Les pierres
de Sébastien Gokalp et d’Olivier Michelon
facilitant les occasions d'affiner les compétences athlétiques
et de l'anthropologue Franco La Cecla
et le livre
The Fold Marlène Dumas Les pierresThrough critical reappropriation, Afshar reclaims a colonial photographic legacy fixated on the veiled woman. The Fold is a critical visual and psychological investigation into the enduring legacy of Orientalist and colonialist photographic practices, and the ways in which these gazes continue to shape how bodiesparticularly veiled Islamic bodiesare seen, archived, and consumed. This new body of work by Iranian artist Hoda Afshar takes as its starting